On January 4, 2018, our small team arrived at the small airport on Tarawa. After three days of travel, we were finally there. // Am 4. Januar 2018 kam unser kleines Team auf dem Flughafen auf Tarawa an. // El 4 de Enero del 2018 llegó nuestro pequeño grupo de trabajo del proyecto Kiribati al aeropuerto también pequeño de Tarawa.
Much has happened since our last entry. On the 2nd of April we got our visas for a whole year. From this moment we could really start. There is a lot going on right now. Today we want to tell you briefly about the biggest upcoming event, on which we are currently working at full speed.
Nuclear bombs were the first serious threat to the existence of the Marshall Islands. 67 (in words: sixty seven!) nuclear fusion and nuclear fission bombs the US detonated over parts of ‘their’ former UN trust territory. Quite a few here say the new bomb, which threatens the Marshall Islands now will hardly be less destructive. They are talking about climate change. It will not contaminate the land. It will devour it.
In the meantime, we had to relocate the Kiribati project to the Marshall Islands, another island state in the region, which faces similar challenges as Kiribati due to climate change. Why this “move” was necessary, you can read about here.
It is Saturday evening. Since our arrival we have met many people and despite the short time already made friends. One of them is Kabuta, a pastor to be who likes to smoke and drink a beer once in a while and continuously invites us to drink Kawa with him. And today the time has come.
Officially we are still “tourists” and it’s weekend again. So we do the Cultural Tour to Abatao and get to know this side of the island. Abatao is the second island of North Tarawa, and the first one that can not be reached via a bridge. It is already considered an Outer Island. It is a foretaste on the other remoter islands of Kiribati.
It was low tide and we went out into the lagoon. We had spotted 3 children sitting like little dots on a small sandy elevation in the shallow water. We wanted to get near and see what they were doing, greet them with “Mauri” and take a few pictures. When we arrived, we saw that they were digging for shells in the mud, collecting them in their plastic bowls. In between they again and again jumped into the azure shallow water for some refreshment. The oldest of the three boys may have been 7, the youngest hardly 5 years old. We say “Mauri”, but hardly get noticed. Only one boy gives us a broad smile. We stoop down and start digging too. Viviana and little Maira are soon successful.
On January 4, 2018, our small team arrived at the small airport on Tarawa. After three days of travel, we were finally there.
When the plane was still in the air, we had flattened our noses against the windows. In the midst of the azure blue vastness of the Pacific Ocean, which we had flown over for hours from Fiji, there was suddenly some pieces of land deep down there. Circular the shape, the tiny atolls arranged themselves on the caldera of an ancient volcano. Hard to imagine that there should be space enough for the landing of the jet. But there was space and we landed noisily. The thickest heat shot through the open hatches. After we had crossed the runway on foot and finally came to the customs office, the young officers began to use their mobiles frantically. From the office of the President they received the information: “Send them all back to Fiji.” What happened?
Das Kiribatiprojekt ist unser bislang umfangreichstes partizipatives Filmprojekt. Wir werden unseren dritten Kinolangfilmfilm gemeinsam mit den Menschen der Inseln der Republik Kiribati auf den Weg bringen. Aufgrund des Abschmelzens der Pole und des Anstieg des Meeresspiegels versalzen die Grundwasserbestände zahlreicher Atolle, schlägt das Meer heftiger als je zuvor über die Inseln und droht, sie noch in diesem Jahrhundert zu verschlingen.
Unser Pitching Video (letzter Blogeintrag vor diesem) erzählt euch von unseren Motiven, diesen Film zu machen.
Wieder gibt es kein Drehbuch, keine abzufilmende feststehende Aussage, sondern stattdessen die Suche nach den Geschichten, die wir mit den Menschen vor Ort in einer Vielzahl von Workshop gemeinsam entdecken werden.
Together with Maria Kling from Film Production Kalliope (Potsdam, Babelsberg), we have been working on a new full feature film for cinema since the beginning of 2017: we call it the Kiribati project. It will be (again) a participatory film. We gave it the working title: “The do not give way to the waves.”
The film will be shot and edited together with the people of the islands of the Republic of Kiribati. Kiribati is located in the central Pacific. Due to the melting of the poles, the rising sea level threatens to flood the islands in historical short time to come. But the future of the republic is still unwritten. Not a few believe that it will inevitably sink. Others think the islands can be saved. For our film crew, Kiribati is also a symbol, a warning to the world. If we do not finally learn to treat our planet with respect, it will put us in front of unimaginable difficulties everywhere. The flood in one place is the drought in another place.
